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(Performing
Arts) |
2/9 Dunlop Avenue, Ormond, VIC 3204 Australia
mobile: 0414 781 851 email: miki.brotzler@gmail.com |
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| Current |
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Studying Yoga Teacher Training through Moksha Yoga |
| 2010 |
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Graduated University of New England with Bachelor of Arts (French, German) |
| 1996 |
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Producer / Production Management and Producing Multimedia; Open Channel
Arts & Entertainment Management (1st year); Deakin University |
| 1992-1994 |
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Suzuki Performance Method Training
Vocal Tuition with Jonathan Hardy |
| 1990-1991 |
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Acting Tuition at Actor’s Centre (Sydney), and at Showbiz (Melbourne) |
| 1985-1990 |
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Modern Dance whilst member of One Extra Dance company |
| 1985 |
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Registration as teacher with Royal Academy of Dancing |
| 1980 |
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Moved to Australia |
| 1969-1984 |
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Classical Ballet training with San Francisco Conservatory of Ballet
(US), Ballet de Chambre de Hirofumi Inoue (Japan), Ransley Studio
of Dance (Sydney) |
| 1963 |
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Born in Yamagata |
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| 2007 |
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8 Femmes
Play by Robert Thomas for the Melbourne French Theatre at Open Stage |
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Lobster Tales
Short play by Michael Stang (USA) for Short & Sweet (Sydney), Seymour Centre |
| 2006 |
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Paradise
Short play by Steven Hopley, for Short & Sweet (Melb), Arts Centre |
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Picasso’s Women
Play by Brian McAvera at the Butterfly Club. Also performer. |
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passion: boxed
Short play by Gaylene Carbis, for “Every Picture Tells a Story” at Theatreworks. Also performer |
| 2005 |
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House of War
Short play by John AD Fraser, for Short & Sweet (Melb) theatre festival, Arts Centre |
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Theatre Sans Animaux
Play by Jean-Michel Ribes, Melbourne French Theatre |
| 2004 |
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Call Me Komachi - Object of Desire
One-woman show performed by Kaori Hamamoto and written by Christie Nieman in Melbourne, Gold Coast and Sydney. Also dramaturg & producer. |
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| 2006-2007 |
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Azuki Beanz
Children’s show at the Chookahs Festival (Arts Centre), A Taste For Living Festival (Gasworks), the Japan Autumn Festival (Canberra), Candle Nara Festival (Canberra). |
| 2006 |
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St Kilda Film Festival
Trailer film for festival |
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Strange Fruit
Mega Field for the Commonwealth Games Arts Festival |
| 2005 |
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Provocation
Series of short pieces by Underwire Productions, directed by Kerith Holmes |
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Picasso’s Women
Role of “Jacqueline Roque” in a production at the Chapel off Chapel |
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Monologues
Play written and directed by Asa Palomera, Women of Asia Company |
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2004 |
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Cervantes & Shakespeare
Celebration of the life of Cervantes & Shakespeare for Consulate of Spain and Spiral Theatre Melbourne Incorporated |
| 1997-2000 |
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The Field / Flight / Swoon
Street Theatre performances on tour with Strange Fruit to Europe, UK, Asia and around Australia |
| 1997 |
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Love Suicides
Play by John Romeril, directed by Bruce Myles for Playbox Theatre Centre |
| 1996 |
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Madame Butterfly
MODD Production by Melbourne Theatre Company, directed by Suzanne Chaundy |
| 1995 |
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Tresno
Music theatre directed by Douglas Horton, Chamber Made Opera |
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Seven
Acts of Love (as witnessed by a cat)
Play written/directed by Tobsha Learner, Budinski’s Theatre |
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Classroom
IIIA: The Testimony of Amira S
Staged readings presented by Tahir Cambis, Budinski’s Theatre |
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The
Head of Mary
Play by Chikao Tanaka, directed by Aubrey Mellor, performed in Japan and at MIFA, Playbox Theatre Center |
| 1994 |
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Twirled and Twisted Strands
Children’s theatre directed by Roger Rynd, REM Theatre Company |
| 1993 |
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film : The Seventh Floor
Rutherford Films, directed by Ian Barry
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| 1993 |
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The Gap
Play by Anna Broinowski, directed by Marion Potts, Belvoir Street Theatre |
| 1992 |
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Shadow and Splendour
Play written and directed by Jim Sharman for Queensland Theatre Company and South Australia Theatre Company, |
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The
Emperor Regrets
Play by Therese Radic, directed by Barrie Kosky, Playbox Theatre Centre |
| 1990 |
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film: Aya
Feature film directed by Solrun Hoaas, Goshu Films |
| 1990-2000 |
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TV Guest Roles including: The Games, Ocean Girl (series I -III), Blue Heelers, Full Frontal, Big Sky, Flying Doctors, E-Street |
| 1990 |
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CHESS: The Musical
Musical directed by Jim Sharman, Theatre Royal (Sydney) |
| 1986-1989 |
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Dance / Theatre Productions of the One Extra Dance company (Sydney) including: The Shrew, Ah Q Goes West, My Father’s House, Turn of the Tide, Voyeur, Six Chapters of a Floating Life, Blue Etchings from Querelle, Harold in Italy (in conjunction with Sydney Theatre Company), Othello |
| 1976-1979 |
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Productions of the Ballet de Chambre de Hirofumi Inoue (Japan) including:
Swan Lake, Giselle, Sleeping
Beauty, Cinderella, Les Sylphides |
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| 2004 |
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“Caravan”
Production Manager, short film by Jennifer Ussi shot on location in Mundubbera, Qld. |
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Melbourne
International Arts Festival
Interpreter for “Sandakan Threnody” project by Theatreworks (Singapore) |
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Spiral
Theatre Melbourne Incorporated
Associate Director of multicultural theatre company |
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“Call
Me Komachi - Object of Desire”
Dramaturg, Producer and Director of a one-woman show performed by
Kaori Hamamoto and written by Christie Nieman in Melbourne, Gold Coast
and Sydney. |
| 2003 |
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Amarevois
Artist Manager of musician / singer Amarevois. |
| 2001 – Current |
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Software engineer / project manager / business analyst in IT industry |
| 1999 |
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VCA School of Film & TV
Associate Producer, short film ‘The Unique Oneness of Christian Savage’ by Jennifer Ussi, shot on location in South Africa with an international student crew. |
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Ecpat
Production manager of a series of TV ads for the campaign against Child Prostitution |
| 1998-1999 |
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Experimenta Media Arts
Administrator / Project Coordinator in a multimedia arts organisation |
| 1997 |
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Balcony Productions
Associate Producer of ‘Burnt by the Sun’, an info video for the Anti-Cancer Council |
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VCA School of Film & TV
Production Manager of Jean-Pierre Mignon’s short film ‘Caleopy’s Lorikeet’ |
| 1995-1996 |
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Hirano Pty Ltd
Administrative Assistant / Interpreter / Associate Producer in arts management |
| 1994 |
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Adelaide Festival
Interpreter for visiting Japanese groups including the Bunraku Puppet Theatre. |
| 1992 |
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Twenty-First City (Japan)
Production Assistant in a film production company in Tokyo |
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What is important in life is to follow your heart.
Enjoy what you do, do it as well as you can.
Be grateful for what you have.
Everything is there for a reason. Be creative! |
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| Click
the images to enlarge. |
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| Flight |
The
Shrew |
Women of Asia |
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