The Garden of Love by Benedict Ernst illustrates today’s consumer society and its indulgent affair with the city - the world of advertising, packaging and consumption- via a sculpted garden made entirely from used building and packaging materials.

Though at first glance it observes the rich traditions of Japanese garden design, there is also an underlying message of social critique.

Ernst sees ‘love’ behind the drive towards excessive consumerism and excess packaging. It is the underlying invisible social force that prompts consumers to flood shopping malls at Christmas. ‘Love’ is the building of connections that stem from a carefully wrapped gift; the packaging being the tie that holds everything together. The garden, then, is made from these disposed materials, ranging from used cardboard and polystyrene to old chocolate wrappers.

However, it is not all about critiquing. Inspired by the Japanese art of suiseki (stone appreciation), Ernst wants his visitors to have a pleasant experience that is also thought provoking. “I really want to try and educate some of my peers and fellow artists about Japanese art history and ideas, as I feel these ideas are particularly relevant to today’s society in Australia. I would also like to introduce Japanese viewers to a fresh look at some of their own traditions.”